PhD Dissertations Directed or Advised by Leonard Barkan (1976–present)
| Name | Dissertation Title | PhD Institution | Year | Current Affiliation | PhD Field |
| Frank Whigham
|
Fayned Showes and Forgerie: Courtesy and Political Suasion in English Renaissance Literature | University of California, San Diego | 1976 | University of Texas Austin | English |
| Laura Rosenthal | Shakespearean Adaptation and the Genealogy of Authorship | Northwestern University | 1990 | University of Maryland | English |
| William West
|
Spaces for Experiment: Theaters and Encyclopedias in Early Modern England | University of Michigan | 1996 | Northwestern University | English |
| Adam McKeown | Enargeia and the English Literary Renaissance | New York University | 2000 | Tulane University | English |
| Bi-Qi Beatrice Lei | Mimesis of Love: Sir Philip Sidney’s “Arcadia” | New York University | 2001 | Shakespeare Association of America | English |
| Emily Gray Tedrowe
|
“A natural perspective, that is and is not”: The Rhetoric of Siblings in Shakespeare’s Comedies | New York University | 2003 | DePaul University | English |
| Joseph Ortiz
|
Music, Ovid and the Triumph of Sound in Shakespearean Drama | Princeton University | 2003 | University of Texas, El Paso | English |
| Jennifer Waldron | Eloquence of the Body: Aesthetics, Theology, and English Renaissance Theater | Princeton University | 2004 | University of Pittsburgh | English |
| Philip Lorenz
|
The Tears of Sovereignty: Perspectives of Power in Renaissance Drama | New York University | 2004 | Cornell University | English |
| David Landreth | Accounting for Talents: Representations of the Coin in Renaissance England | New York University | 2005 | University of California, Berkeley | English |
| Elizabeth Bearden
|
The Emblematics of the Self: Ekphrasis and Identity in Renaissance Imitations of Greek Romance | New York University | 2006 | University of Wisconsin | English |
| Gerard Passannante | The Lucretian Renaissance: Ancient Poetry and Humanism in an Age of Science | Princeton University | 2007 | University of Maryland | English |
| Cynthia Nazarian | Petrarch’s Wound: Love, Violence and the Writing of the Renaissance Nation | Princeton University | 2008 | Northwestern University | Comparative Literature |
| Jennifer Kate Barret | “So written to aftertimes”: Renaissance England’s Poetics of Futurity | Princeton University | 2008 | University of Texas, Austin | English |
|
Daniel Moss |
Renaissance Ovids: The Metamorphosis of Allusion in Late Elizabethan England | Princeton University | 2008 | Southern Methodist University | English |
| Andrew Hui
|
The Poetics of Ruins: Vestigia, Monuments, and Writing Rome in Renaissance Poetry | Princeton University | 2009 | Yale–NUS | Comparative Literature |
| Abigail Heald
|
Tears for Dido: A Renaissance Poetics of Feeling | Princeton University | 2009 | University of California, Santa Cruz | English |
| Alana Shilling | Forgetting to Remember: Allusion and Topos in Renaissance Romance | Princeton University | 2010 | Boston Review | Comparative Literature |
| Joseph Moshenska | ‘Feeling pleasures’: The Sense of Touch in Renaissance England | Princeton University | 2010 | Oxford University | English |
| Leah Whittington | Supplication and the Classical Tradition: Vergil, Petrarch, Shakespeare, Milton | Princeton University | 2011 | Harvard University | Comparative Literature |
| Giulio Pertile
|
Feeling Faint: Exposing Consciousness in the Renaissance | Princeton University | 2014 | University of St. Andrews | Comparative Literature |
| Andrew Lemons | Inmyddes: The place of Form in Middle English Poetry | Princeton University | 2014 | Clemson University | Comparative Literature |
| Matthew Harrison
|
Tear Him for His Bad Verses: Poetic Value and Literary History in Early Modern England | Princeton University | 2015 | West Texas A&M | English |
| Emily Vasiliauskas | Dead letters: The Afterlife before Religion | Princeton University | 2015 | Williams College | English |
| William Evans | The Fiction of Law in Shakespeare and Spenser | Princeton University | 2015 | Stanford Law School | English |
| Matthew Spellberg | Dreaming for Others in Culture and the Novel | Princeton University | 2017 | Harvard Society of Fellows | Comparative Literature |
| Zoe Gibbons
|
From Time to Time: Narratives of Temporality in Early Modern England, 1610-1670 | Princeton University | 2018 | Jersey | English |
| Daniel Blank | Shakespeare and the Spectacle of University Drama | Princeton University | 2018 | Harvard Society of Fellows | English |
| Sarah Case
|
Increase of Issue: Poetry and Succession in Elizabethan England | Princeton University | 2018 | Harvard Expository Writing Program | English |
| Leon Grek
|
Staging the Cosmopolis: Comedy and Translation in Republican Rome and Early Modern London | Princeton University | In progress
|
NYU Gallatin School | Comparative Literature |
| Matthew Ritger | Objects of Correction: Literature and the Birth of Modern Punishment, 1516-1667 | Princeton University | In progress | English | |
| Isaac Harrison Louth | Voice Lessons: Practicing Music in Early Modern Literature | Princeton University |
In progress |
English | |
| Mary Fagan
|
Intercession and Narratology in Early Modern England, 1516–1596 | Princeton University | In progress | English |


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